12/22/2023 0 Comments The next three daysNever has a scene of a man cutting through a fence with some wire cutters had such nice resonance. The opening scene is problematic because it just doesn't seem plausible that Brennan's brother would be with a woman who would announce to his sister-in-law that she could steal her husband in no time flat if she put her mind to it and the final countdown stretches credulity, but even when it does, it's so dynamically shot or so cleverly plotted the ride is an enjoyable one. Another is his dad George, whom Dennehy makes say volumes with few words - their parting scene packs an emotional wallop. Their connection is an interesting one which, again, is utilized in the plotting. One is Olivia Wilde's ("Year One," TV's 'House') Nicole, a single mom with a romantic interest until Brennan tells her just why his wife isn't around. Crowe is quiet, head down, as Brennan, but leaves enough chinks to allow a couple of people to detect trouble. He also leaves another trail for the police. Things go horribly wrong, but Brennan does get the cash. When the unanticipated deadline is handed to him, he cannot sell his house quickly enough to get the large amounts of cash Pennington said would be necessary, so he attempts to rob Alex (Kevin Corrigan, "Unstoppable") at his drug lab. She tells her husband she is guilty of the crime. Lara is struggling, unaware of her husband's plans. He creates a detailed chart on his living room wall noting his progress and his timetable - Pennington warned he'd have under 30 minutes to get out of Pittsburgh proper before blockades go up and this timetable will help drive the suspense. After meeting with Damon Pennington (Liam Neeson), the author of 'Over the Walls,' John begins to hang around criminal elements trying to procure such things as falsified passports, and sometimes his endeavors backfire. These relationships will figure prominently in how John's plan works out. Young son Luke (Ty Simpkins, "Revolutionary Road") is adored, but John's relationship with his own father (Brian Dennehy) isn't warm and toasty. The Brennan family dynamic is set at the breakfast table. It's quite a suspenseful ride and Elizabeth Banks gives a passionately ambiguous performance - it's as if she's been directed like Ingrid Bergman in "Casablanca," not knowing which way her character was going to go. We watch English professor John Brennan's character develop (a quote from Don Quixote about reality versus the power of the imagined figures prominently) and we see him putting pieces of his plan into action, but it is not until the film's big climax that we see how everything fits together. When even Lara's lawyer has no hope, John begins to plan an elaborate prison escape, but a slip up during a visit casts suspicion and they discover Lara's going to be moved to another facility in "The Next Three Days." Adapting the French film "Pour Elle," writer/director Paul Haggis ("Crash") keeps us one step behind his protagonist's thinking. John Brennan (Russell Crowe) is devastated and firmly convinced of his wife's innocence, but nothing goes in her favor. During an evening out, Lara Brennan (Elizabeth Banks, "Zack and Miri Make a Porno") has a nasty argument with her brother-in-law's girlfriend Erit (Moran Atias, TV's 'Crash') that's rather jaw-dropping, but that's nothing compared to what happens the next morning - police arrive to charge Lara with the murder of her boss.
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